![]() Edgar received a commission from the Congress Hotel in Chicago for a mural on 11,000 square yards of muslin. When the Santa Fe commission expired the couple returned to San Francisco. This endeavor lasted for decades and made the Santa Fe one of the largest collectors of southwestern fine art. Starting in 1892, with Thomas Moran, Simpson exchanged travel on the train, along with lodging at railroad hotels and meals at railroad restaurants, and sometimes even cash, for paintings, photographs, pottery, and jewelry. Simpson, chief of the railway's advertising department. The Santa Fe Railroad commissions were the turn of the century brainchild of William H. This area, from Taos, New Mexico to the Grand Canyon, became one of Payne's two main inspirations for the next twenty years. That year he and Elsie spent four months painting, exploring, and taking in Canyon de Chelly. Although he painted in Europe, he is most remembered for his work from the Four Corners area of the Navajo Nation Reservation, Yosemite, and the California coast. This commission not only solidified his reputation as an artist, it also forever linked him to Western America. In a bid to attract tourism, the Atchison, Topeka and Santa Fe Railroad asked him to paint the Southwest, along the railroads' trek from Albuquerque to California. He earned his first major commission in 1917. This trip was a big moment in his life, and Payne would return again and again to paint the unspoiled Sierra these paintings remain one of the hallmarks of his work. ![]() The following year Edgar made his first trip to the Sierra Nevada Mountains. ![]() They also attended the Panama-Pacific International Exposition. The following spring they took Evelyn to see her maternal grandparents in San Francisco. #Edgar payne composition of outdoor painting pdf professional#Between 19-19 Edgar maintained a professional address in Chicago at the Tree Studio Building on East Ohio Street. Arguably their greatest collaborative effort happened in 1914 with the arrival of their daughter, Evelyn. Elsie helped Edgar with his mural work, and soon he had an exhibition at the Art Institute of Chicago. Luckily the artist in her offered some understanding.Īs a couple they became well known in Chicago's art circle. On the morning of their wedding day about a year later, 9 November 1912, Edgar noticed that the light was "perfect", and had Elsie postpone the ceremony until the afternoon. This cemented their already growing interest in each other. When he returned to Illinois that fall, he found that Elsie had taken a job as commercial artist in Chicago. He returned to California for a second time in 1911. In San Francisco he met other artists, including commercial artist Elsie Palmer (1884–1971). ![]() He spent several months painting at Laguna Beach, then headed to San Francisco. He made his way to California for the first time in 1909, at the age of 26. During this period he also obtained the occasional mural work to supplement his income. Struggling at first, he soon exhibited a group of landscape works, painted on a small easel, at the Palette and Chisel Club. He preferred instead to be self-taught, relying on practice and his own sense of direction. He remained only two weeks at the institute, finding it too structured. Traveling through the Ozarks, then around the Southeast and Midwest, he finally wound up in Chicago, and enrolled to study portrait art at the School of the Art Institute of Chicago. Leaving home on several occasions, Payne painted houses, signs, portraits, murals, and local theater stage sets, to pay his way. Edgar’s occupation was listed as “carpenter, apprentice.” Census of 1900, he resided with his parents, two sisters and five brothers in Prairie Grove, Washington County, Arkansas his Alabama-born father was employed as a carpenter. ![]() Cassville is in southwest Missouri, near the Arkansas border. Payne was born near Cassville, Barry County, Missouri, in the heart of the Ozarks. ![]()
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